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Whitefish Theatre Company

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Whitefish Theatre Company

(406)862-5371

Signed in as:

filler@godaddy.com

  • HOME
  • OUR SEASON
    • Full 2026-2027 Season
    • WF Summer Concert Series
    • The MET Live in HD
    • The White Chip
    • Matt Baker
    • Tokens of Affection
    • Saint of Soldiers
    • Dear Jack, Dear Louise
    • Big Fish
    • Alysha Brilla
    • Man From Earth
    • The Underdog
    • Matt Schofield
    • The Cocktail Hour
    • Moon Over Buffalo
    • The Nickspearience
    • Always A Bridesmaid
  • ABOUT US
    • CONTACT US
    • ABOUT WTC
    • STAFF
    • Seating Chart
    • VENUE RENTALS
  • EVENTS
  • GET INVOLVED
    • Adult Audition Workshop
    • Volunteer
    • DONATE
    • Season Sponsors/Grants
    • VENUE RENTALS
    • AUDITIONS
  • ACCESSIBILITY
  • DONATE
  • Tickets
    • SEASON TICKET INFO
    • GIFT CERTIFICATES

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AUDITIONS

Experience the Magic of Whitefish Theatre Company!

All auditions at Whitefish Theatre Company are open auditions. No preparation or prior acting experience is necessary. All audition material will be provided. Whether or not you are cast, we strive to make the audition process a fun and welcoming atmosphere for everyone of all experience levels!


ALL AUDITIONS TAKE PLACE AT THE O'SHAUGHNESSY CENTER IN WHITEFISH.  PLEASE ENTER THROUGH THE NORTH DOOR ON THE PARKING LOT SIDE OF THE BUILDING

JOIN AUDITION EMAIL LIST

Tokens of Affection

AUGUST 23 and 24 @ 7:00pm

BY TOPHER PAYNE

DIRECTED BY REBECCA SPEAR


Cast Size: 6 (3 Women, 3 Men)

 Note: Ages are approximate. Actors of all ethnicities are encouraged to audition. 


Frank Garrett

Male | 60s–70s

A devoted husband blindsided when his wife of 37 years announces she's leaving him. Frank is practical, stubborn, funny without trying to be, and deeply uncomfortable discussing his emotions. Beneath his gruff exterior is a man who genuinely loves his family but has forgotten how to express it. Requires excellent comedic timing and the ability to reveal surprising emotional depth. 


Jackie Garrett

Female | 60s–70s

Frank's wife. Warm, intelligent, independent, and quietly determined. After decades of feeling overlooked, she finally decides she deserves more than simply being taken for granted. Jackie is never bitter or cruel—she simply wants to be appreciated. A nuanced role balancing humor, vulnerability, and quiet strength. 


Charlie Garrett

Male | Late 20s–40s

Frank and Jackie's son. A video game designer living in New York City. Witty, sarcastic, slightly neurotic, and overwhelmed when his parents' marriage suddenly implodes in his apartment. Loves his family but often avoids emotional confrontation. Strong comedic instincts are essential. 


Claire Garrett

Female | Late 20s–40s

Frank and Jackie's daughter. Organized, capable, compassionate, and the emotional anchor of the family. Claire tries to keep everyone together while navigating the complicated reality that parents are flawed people, too. She possesses warmth, intelligence, and quiet confidence. 


Rita

Female | 40s–60s

Frank's charming widowed neighbor. Funny, confident, perceptive, and refreshingly direct. Rita has lived enough life to know what matters and brings an unexpected spark into Frank's world. She should be effortlessly likable with natural charisma and warmth. 


Bruce

Male | 30s–50s

Clair's husband. A real estate agent in Connecticut. The golden boy. Knows how to close a deal. Unflappable.

READ SYNOPSIS

THE WHITE CHIP

SEPTEMBER 13 @ 7:00pm

BY SEAN DANIELS

DIRECTED BY NANCY NEI


Cast Size: 3 (Flexible Casting)

Note: Ages are approximate. The play is intentionally flexible, and actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition.


Steven

Male | 30s

The protagonist and narrator. Brilliant, charismatic, ambitious, and hilariously self-aware, Steven appears to have everything figured out—a successful theatre career, a loving marriage, and endless potential. Underneath, however, he's battling severe alcoholism while convincing himself he has everything under control. The role demands exceptional storytelling ability, emotional vulnerability, and sharp comedic instincts. Steven spends much of the play speaking directly to the audience, carrying them through moments of outrageous humor and heartbreaking honesty. 


Actor #1

Any Gender | Any Age

A theatrical chameleon who helps Steven tell his story by portraying the many women in his life—including his wife, mother, therapists, coworkers, doctors, and fellow AA members—as well as serving as a narrator, conscience, and scene partner. Requires strong physical comedy, quick character transitions, and the ability to move seamlessly between humor and compassion. The actor should be comfortable creating numerous distinct personalities with minimal costume changes. 


Actor #2

Any Gender | Any Age

An equally versatile performer who portrays the many men in Steven's life—including his father, friends, bosses, bartenders, sponsors, doctors, and fellow recovering alcoholics. This actor also functions as a narrator and storyteller, helping create the world around Steven through rapid-fire transformations. Strong improvisational instincts, comedic timing, and emotional range are essential. 

READ SYNOPSIS

BIG FISH THE MUSICAL

OCTOBER 10 and 11 @ 7:00pm

BY JOHN AUGUST & ANDREW LIPPA

DIRECTED BY KIM KRUEGER


Cast Size: Flexible (Large Ensemble)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition. Many ensemble members portray multiple featured roles throughout the production. Strong singers, dancers, and actor-storytellers are encouraged to audition.


Edward Bloom

Male | 40s–60s

A larger-than-life traveling salesman whose incredible stories have become family legend. Charismatic, adventurous, witty, and endlessly optimistic, Edward lives life with boundless imagination and refuses to let reality limit his dreams. As illness forces him to confront his mortality, Edward must find a way to connect with his son beyond the stories. Requires a commanding stage presence, warmth, humor, and deep emotional vulnerability.

Vocal Range: Baritone/Tenor (G2–G4)


Will Bloom

Male | Late 20s–40s

Edward's son. Practical, intelligent, and grounded in reality, Will has spent his life questioning where the stories end and the truth begins. Preparing to become a father himself, he struggles to reconcile his frustration with his admiration for Edward. A deeply emotional role requiring sincerity and strong dramatic acting.

Vocal Range: Baritone/Tenor (B2–G4)


Sandra Bloom

Female | 40s–60s

Edward's devoted wife and Will's mother. Warm, compassionate, and fiercely loving, Sandra sees the extraordinary man behind Edward's tall tales. She is the emotional heart of the family, balancing strength with tenderness.

Vocal Range: Mezzo-Soprano (G3–D5)


Josephine Bloom

Female | Late 20s–40s

Will's wife. Smart, patient, and supportive, Josephine serves as the bridge between father and son while preparing to welcome their first child. A grounded and empathetic presence.

Vocal Range: Mezzo-Soprano (A3–E5)


Ensemble

Any Gender | Ages 8+

The ensemble is the heart of Big Fish, bringing Edward Bloom's extraordinary stories to life through dozens of memorable characters. Ensemble members may portray Young Edward, Karl the Giant, Amos Calloway, The Witch, Jenny Hill, Don Price, Zacky Price, Young Will, circus performers, mermaids, soldiers, university students, doctors, Alabama townspeople, wedding guests, and many more. Strong singers, expressive movers, and versatile actors who enjoy creating bold, imaginative characters will thrive in this production. Many ensemble members will play multiple featured roles throughout the show, making flexibility, creativity, and strong storytelling skills essential.

READ SYNOPSIS

dear jack, dear louise

NOVEMBER 1 @ 7:00pm

BY KEN LUDWIG

DIRECTED BY MICHELLE MANK

 

Cast Size: 2 (1 Woman, 1 Man)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition.


Captain Jack Ludwig

Male | Late 20s–30s

An Army doctor stationed in Oregon during World War II. Intelligent, witty, optimistic, and deeply compassionate, Jack begins an unexpected correspondence with a woman he's never met. Though practical by nature, he slowly discovers the courage to be vulnerable as their letters evolve into a profound love story. The role requires strong comedic timing, emotional honesty, and the ability to create an intimate connection with both Louise and the audience.


Louise Rabiner

Female | Mid 20s–30s

An aspiring actress and dancer living in New York City during World War II. Bright, independent, spirited, and endlessly resilient, Louise dreams of a life in the theatre while navigating the uncertainty of wartime. Her warmth, humor, and optimism shine through her letters, even in difficult moments. This role calls for a performer with charm, emotional depth, and the ability to balance lighthearted wit with heartfelt sincerity.

READ SYNOPSIS

The Underdog: The Other Other Brontë

DECEMBER 14 and 15 @ 7:00pm

BY SARAH GORDON

DIRECTED BY KIM KRUEGER

  

Cast Size: 4 (3 Women, 1 Man, 4-6 Male or Female Ensemble)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition. This play blends historical drama with sharp contemporary humor, requiring performers who are comfortable breaking the fourth wall and balancing comedy with genuine emotional depth.


Anne Brontë

Female | Early 20s–30s

The youngest—and often overlooked—Brontë sister. Intelligent, quietly confident, witty, and deeply compassionate, Anne is determined to step out from the shadow of her famous siblings and claim her own place in literary history. Though less outwardly dramatic than Charlotte or Emily, Anne possesses remarkable resilience and moral conviction. The role requires warmth, subtle comedic timing, and emotional honesty.


Charlotte Brontë

Female | Mid 20s–30s

The eldest surviving Brontë sister and the fiercely ambitious author of Jane Eyre. Practical, driven, protective, and often convinced she knows what's best, Charlotte struggles to reconcile her love for her sisters with her desire for literary success. A role that balances commanding authority with humor and vulnerability.


Emily Brontë

Female | Early 20s–30s

The enigmatic author of Wuthering Heights. Independent, fiercely imaginative, and wonderfully eccentric, Emily is happiest on the Yorkshire moors or lost in her own creative world. Though often quiet, she possesses a dry wit and unwavering loyalty to her family. Requires strong physical and emotional storytelling.


Patrick Brontë 

Male | 40s–70s

The Brontë family patriarch, along with several additional supporting characters throughout the play. Patrick is loving, opinionated, and occasionally oblivious to the inner lives of his daughters. 


Ensemble

3 Male | 1 Any gender

To play multiple speaking roles throughout the play. These actors should enjoy transforming into multiple distinct personalities with humor, versatility, and theatrical flair.

READ SYNOPSIS

MAN FROM EARTH

JANUARY 17 @ 7:00pm

BY RICHARD SCHENKMAN

DIRECTED BY MIKEY WINN

  

Cast Size: 8 (5 Men, 3 Women)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition. This dialogue-driven play relies on strong ensemble acting, nuanced performances, and the ability to engage audiences through thoughtful conversation rather than action. Performers should be comfortable tackling complex philosophical, historical, and emotional themes.


John Oldman

Male | Appears 35–45

A quiet, intelligent history professor preparing to leave town after ten years. Calm, thoughtful, and disarmingly humble, John reveals an extraordinary secret that challenges everything his colleagues believe about history, science, religion, and humanity. The role requires remarkable emotional restraint, subtle charisma, and the ability to command attention through sincerity rather than theatrics.


Dan

Male | 50s–70s

An anthropology professor and John's closest friend. Kind, curious, and open-minded, Dan approaches John's unbelievable story with empathy and wonder. A grounded, compassionate presence who often serves as the emotional center of the group.


Harry

Male | 40s–60s

A biology professor. Analytical, skeptical, and quick-witted, Harry demands evidence before accepting extraordinary claims. Though often humorous, he is deeply committed to scientific reasoning and intellectual honesty.


Art

Male | 50s–70s

An archaeologist with a dry sense of humor and decades of academic experience. Initially amused by John's story, Art gradually finds himself questioning long-held assumptions. Warm, intelligent, and thoughtful.


Edith

Female | 50s–70s

An art historian with a sharp intellect and a compassionate heart. Edith approaches John's revelation with curiosity and emotional sensitivity, often acting as a calming influence during heated discussions.


Sandy

Female | 30s–50s

A history professor and John's close friend. Warm, perceptive, and quietly in love with John, Sandy struggles to reconcile her feelings with the possibility that everything he says could be true. Requires emotional depth and understated vulnerability.


Linda

Female | 20s–40s

A graduate student studying psychology. Bright, inquisitive, and eager to understand human behavior, Linda observes the unfolding conversation with curiosity before becoming emotionally invested herself.


Dr. Will Gruber

Male | 60s–80s

A deeply respected Christian theologian whose faith is challenged by John's extraordinary claims. Brilliant, passionate, and emotionally invested, Will experiences the greatest personal stakes as the evening unfolds. One of the play's most demanding roles, requiring exceptional dramatic range and emotional intensity.

READ SYNOPSIS

MOON OVER BUFFALO

FEBRUARY 15 and 16 @ 7:00pm

BY A.R. GURNEY

DIRECTED BY SCARLETT SCHINDLER

   

Cast Size: 8 (4 Women, 4 Men)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition. This fast-paced farce demands excellent physical comedy, impeccable timing, and a willingness to embrace larger-than-life characters. Performers should be comfortable with rapid entrances and exits, mistaken identities, and high-energy comedic storytelling.

George Hay

Male | 50s–60s

A once-promising stage actor now touring repertory theatre with his wife. Charismatic, dramatic, egotistical, and endlessly optimistic, George dreams of one last chance at Hollywood stardom. As everything that can go wrong does, he desperately tries to keep the show—and his life—from falling apart. A physically demanding role requiring exceptional comic timing, boundless energy, and strong stage presence.


Charlotte Hay

Female | 40s–60s

George's wife, leading lady, and long-suffering acting partner. Intelligent, talented, and fiercely capable, Charlotte is trying to hold both the theatre company and her marriage together despite George's endless antics. A role requiring wit, warmth, and sharp comedic instincts.


Rosalind Hay

Female | 20s–30s

George and Charlotte's daughter. Having left the theatre behind, Rosalind returns home with her fiancé, hoping to introduce him to her eccentric family. Though practical and grounded, she finds herself pulled back into the chaos she thought she'd escaped.


Paul

Male | 20s–30s

The theatre company's stage manager. Nervous, overworked, and perpetually on the verge of a breakdown, Paul is secretly in love with Rosalind while trying to keep the production from collapsing. A delightful comic role requiring impeccable timing and physical comedy.


Ethel

Female | 70s–80s

Charlotte's mother. Hard of hearing, sharp-tongued, and delightfully unpredictable, Ethel has impeccable comic timing despite often misunderstanding everything around her. A scene-stealing role filled with wit and physical comedy.


Howard

Male | 30s–40s

Rosalind's fiancé. A straight-laced television weatherman with little experience in the theatrical world, Howard finds himself completely overwhelmed by the Hay family's relentless chaos. Earnest, kind, and increasingly bewildered.


Richard Maynard

Male | 40s–60s

A polished Hollywood lawyer sent to evaluate George for a possible starring role in a major film. Sophisticated, professional, and increasingly baffled by the pandemonium unfolding before him.


Eileen

Female | 20s–40s

An ambitious young actress in the repertory company. Attractive, enthusiastic, and somewhat naïve, Eileen's admiration for George unintentionally fuels much of the evening's romantic confusion and comic mayhem.

READ SYNOPSIS

THE COCKTAIL HOUR

FEBRUARY 28 @ 7:00pm

BY A.R. GURNEY

DIRECTED BY JAKE CARR

  

Cast Size: 4 (2 Women, 2 Men)

Note: Ages are approximate. Actors of all races, ethnicities, gender identities, and backgrounds are encouraged to audition. This character-driven comedy explores family dynamics with wit, intelligence, and emotional honesty. Performers should be comfortable with naturalistic dialogue and layered relationships.


John

Male | Late 30s–50s

A successful playwright returning home for an evening with his family before the premiere of his latest play...which just happens to be about them. Thoughtful, observant, and quietly witty, John is caught between his role as son and artist as family tensions surface. The role requires emotional subtlety, strong comedic instincts, and the ability to balance affection with frustration.


Ann

Female | 60s–70s

John's mother. Elegant, sharp, and fiercely protective of her family's reputation, Ann is both charming and formidable. She struggles with the realization that her son's work may expose deeply personal truths. A role requiring impeccable comic timing, intelligence, and emotional complexity.


Bradley

Male | 60s–70s

John's father. A successful businessman with traditional values, Bradley is practical, reserved, and often uncomfortable discussing emotions. Though he projects confidence and authority, he harbors regrets and vulnerabilities beneath the surface. Requires warmth, dry humor, and dramatic depth.


Nina

Female | Late 20s–40s

John's younger sister. Sensitive, perceptive, and often overlooked within the family, Nina longs to be understood while navigating her own place among larger personalities. She brings warmth, humor, and emotional honesty to the family's conversations. The role benefits from strong listening skills and nuanced emotional range.

READ SYNOPSIS

ALWAYS A BRIDESMAID

FEBRUARY 28 @ 7:00pm

BY JESSIE JONES, NICHOLAS HOPE & JAMIE WOOTEN

DIRECTED BY JOY JAMES

  

Cast Size: 6 (6 Women)

Note: Ages are approximate. Actors of all races, ethnicities and backgrounds are encouraged to audition. This heartfelt Southern comedy features six vibrant women whose lifelong friendship spans more than 30 years. Strong comedic timing, chemistry, and the ability to balance humor with genuine emotion are essential.


Libby Ruth Ames

Female | 50s–70s

The hopeless romantic of the group and the one who has always dreamed of finding true love. Sweet, optimistic, and endlessly hopeful, Libby Ruth has served as a bridesmaid at countless weddings—but never as the bride. Warm, funny, and deeply relatable, she is the heart of the story.


Charlie Collins

Female | 50s–70s

The outspoken organizer of the group. Practical, confident, and fiercely loyal, Charlie naturally takes charge whenever life throws her friends a curveball. She has a sharp wit, a big heart, and isn't afraid to tell it like it is.


Monette Gentry

Female | 50s–70s

Stylish, glamorous, and larger than life, Monette is the owner of a beauty salon and believes every crisis can be solved with a makeover and a little hairspray. Bold, hilarious, and endlessly entertaining, she brings sparkle to every scene.


Deedra Wingate

Female | 40s–60s

A successful businesswoman whose polished exterior masks the pressures of balancing career, marriage, and family. Intelligent, ambitious, and occasionally high-strung, Deedra discovers that friendship is often the best remedy for life's unexpected challenges.


Sedalia Ellicott

Female | 50s–70s

Warm, compassionate, and delightfully quirky, Sedalia is the peacemaker of the group. Her quiet wisdom and gentle humor often provide the emotional glue that keeps the lifelong friends together through every celebration and setback.


Kari Ames-Bissette

Female | 20s–40s

Libby Ruth's spirited younger cousin. Energetic, modern, and full of enthusiasm, Kari brings fresh perspective to the group while learning firsthand about the enduring power of lifelong friendship. She provides youthful energy and plenty of comic moments.

READ SYNOPSIS

Backstage Opportunities

 While a show is going on on onstage, there is another show happening backstage! It takes a village of people to make the magic happen! Here's some of the ways you can get involved 

  • Set Building
  • Set Painting
  • Costume Crafting
  • Lighting Operators 
  • Sound Board Operators 
  • Stage Management
  • Backstage (Dressers/Stagehands)

Please contact us if you are interested in getting involved in any way, and check back here for updated volunteer opportunities! 

Get Involved

Copyright © 2026 Whitefish Theatre Company - All Rights Reserved.

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  • Full 2026-2027 Season
  • Matt Baker
  • Tokens of Affection
  • Saint of Soldiers
  • Dear Jack, Dear Louise
  • Big Fish
  • Alysha Brilla
  • Man From Earth
  • The Underdog
  • Matt Schofield
  • The Cocktail Hour
  • Moon Over Buffalo
  • The Nickspearience
  • Always A Bridesmaid

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